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Online-Shopping mit großer Auswahl im DVD & Blu-ray Shop. Top-Angebote für Jerry Lewis Filme auf DVDs und Blu-rays auf Deutsch online entdecken bei eBay. Top Marken | Günstige Preise. produzierte Lewis The Day the Clown Cried, eine Filmgroteske, in der er selbst Regie führte und die Hauptrolle spielte. Der Film handelt von einem Clown​. Filme auf Deutsch anschauen in voller Länge - jetzt abonnieren: entrepreneurking.co​FabellaAbo ▻ Dieser Film zeigt nicht nur das schlimme, sondern eine LIEBESSTO. 2,58 Millionen Bewertungen. Herunterladen. Der Geisha Boy - ganzer Film auf Deutsch Filme Deutsch, Jerry Lewis, Geisha,. Quelle: entrepreneurking.co Mehr dazu.

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Liebe auf den ersten Biss (1979)

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OOP Out of Print. Edition Alle ansehen. Alle Auktion Sofort-Kaufen. Lewis begann zu dieser Zeit Drehbücher zu read more und auch die Produktionsleitung und die Regie zu übernehmen. Lieferoptionen Alle ansehen. Das könnte Ihnen auch gefallen. Verkaufte Artikel. EUR 2, Martin fühlte sich zunehmend unterrepräsentiert und fürchtete um seine Eigenständigkeit als Künstler. EUR 6,99 Versand. Preisvorschlag senden. Hauptseite Themenportale Zufälliger Artikel. Sprache Alle ansehen. Nach der Trennung des Teams entwickelte Lewis eine eigenständige Karriere. Erscheinungsjahr Alle ansehen. Sie dauerten zwischen 19 und 21,5 Stunden. Insgesamt wurden dort über zwei Milliarden US-Dollar gesammelt. Https://entrepreneurking.co/kostenlos-filme-schauen-stream/tartan-prancer.php Alle ansehen. Special Edition. Lewis begann zu dieser Zeit Drehbücher zu schreiben und auch die Produktionsleitung und die Regie zu übernehmen. Nach Deutsch Die Jones Stream Fiasko zog sich Lewis zunächst aus der Öffentlichkeit zurück. Das könnte Ihnen auch gefallen. Jerry Lewis". Magician's Assistant. Lewis would follow that film by directing several more new movies he co-wrote with Richmond, including The Ladies Manwhere Lewis constructed a three-story dollhouse-like set Geheimnisse Der Spiderwicks Trailer two sound stages. Benjamin Spock He had finished his film https://entrepreneurking.co/4k-filme-stream-free/nintendo-nx-release.php with Wallis with Visit to a Small Planet and wrapped up production on his own film Cinderfelladirected by Tashlin. Scared Stiff.

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I walked off the stage knowing I could make it on my own". At his wife's pleading, Lewis used his own money to record the songs on a single.

Further singles were recorded and released by Lewis into the mids. But these were not Lewis's first foray into recording, nor his first appearance on the hit charts.

During his partnership with Martin, they made several recordings together, charting at 22 in with the s chestnut That Certain Party and later mostly re-recording songs highlighted in their films.

Also during the time of their partnership, but without Martin, he recorded numerous novelty-comedy numbers for adults as well as records specifically intended for the children's market.

Having proven he could sing and do live shows, he began performing regularly at the Sands Hotel and Casino in Las Vegas, beginning in late , which marked a turning point in his life and career.

The Sands signed him for five years, to perform six weeks each year and paid him the same amount they had paid Martin and Lewis as a team.

He has proved that he can be a success by himself," wrote one. Such live performances became a staple of his career and over the years he performed at casinos, theaters and state fairs coast-to-coast.

In February , he followed Garland at the Palace Theater in New York and Martin called on the phone during this period to wish him the best of luck.

He starred in his adaptation of " The Jazz Singer " for Startime. Lewis hosted the Academy Awards three times, in , and the 31st Academy Awards in , which ran twenty minutes short, forcing Lewis to improvise to fill time.

Lewis would remain at Paramount, becoming a comedy star in his own right and his first solo movie was The Delicate Delinquent , marking Lewis' debut as film producer.

It originally had been planned as the next Martin and Lewis film. He and Martin had made two films with director Frank Tashlin , whose background as a Looney Tunes cartoon director suited Lewis' brand of humor.

Lewis was asked by Billy Wilder to play the lead role of Jerry, an uptight jazz musician who winds up on the run from the mob, in his film Some Like It Hot but turned it down.

After his contract with Wallis ended, Lewis had several movies under his belt and was eager to flex his creative muscle. He was free to deepen his comedy with pathos , believing, "Funny without pathos is a pie in the face.

And a pie in the face is funny, but I wanted more. This contract made Lewis the highest paid individual Hollywood talent to date and was unprecedented in that he had unlimited creative control, including final cut and the return of film rights after 30 years.

He had finished his film contract with Wallis with Visit to a Small Planet and wrapped up production on his own film Cinderfella , directed by Tashlin.

The movie was postponed for a Christmas release. Paramount Pictures, needing a quickie motion picture for its summer schedule, held Lewis to his contract to produce one.

Lewis later revealed that Paramount was not happy about financing a "silent movie" and withdrew backing. Lewis would follow that film by directing several more new movies he co-wrote with Richmond, including The Ladies Man , where Lewis constructed a three-story dollhouse-like set spanning two sound stages.

The set was equipped with state of the art lighting and sound, eliminating the need for boom mics in each room.

His next feature The Errand Boy , was one of the earliest films about moviemaking, utilizing all of the Paramount backlot and offices.

He then starred in Tashlin's It's Only Money His appearance on the show scored the highest ratings thus far in late night, surpassing other guest hosts and Paar.

The three major networks began a bidding war, wooing Lewis for his own talk show, which debuted the following year. Lewis then directed, co-wrote and starred in the smash hit The Nutty Professor A parody of Dr.

Jekyll and Mr. Hyde , it featured him as a socially awkward professor inventing a serum that turns him into a handsome but obnoxious ladies man.

It is largely considered to be Lewis' finest and most memorable film being selected in for preservation in the U.

National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

He starred next in Tashlin's Who's Minding the Store? The show suffered in the ratings, beleaguered by technical and other difficulties, including the assassination of then U.

Kennedy , which left the country in a somber mood. Lewis next co-wrote and starred in The Patsy , his satire about the Hollywood star-making industry.

His last film collaboration with Tashlin was The Disorderly Orderly , which Lewis not only starred in but executive produced.

After that, he then directed, co-wrote and appeared in The Family Jewels about a young heiress who must choose among six uncles, one of whom is up to no good and out to harm the girl's beloved bodyguard who practically raised her.

Lewis played all six uncles and the bodyguard. In , Lewis was interviewed on The David Susskind Show , then co-starred in Boeing Boeing , his last film for Paramount, based on the French stage play , [47] in which he received a Golden Globe nomination.

In , after 17 years, Lewis left Paramount, which changed ownership while its new executives declined to renew his profit sharing contract [ citation needed ] and went to other studios.

Lewis then directed One More Time , a sequel to the film Salt and Pepper , in which Lewis did his first and only offscreen voice performance as a bandleader.

His next film was Which Way to the Front? Lewis' next feature was the partly unreleased The Day the Clown Cried , a drama set in a Nazi concentration camp , which he starred in and directed.

The film was rarely discussed by Lewis, but he said that litigation over post-production finances and copyright prevented the film's completion and theatrical release.

During his book tour for Dean and Me he also said a factor for the film's burial was that he was not proud of the effort.

Lewis explained his reason for choosing the project and the emotional difficulty of the subject matter in an interview with an Australian documentary film crew.

Within historical context, the movie was the earliest attempt by an American motion picture director to address the subject of The Holocaust , preceding by thirteen years Claude Lanzmann 's groundbreaking film Shoah , [50] and by more than twenty years, Steven Spielberg 's Schindler's List and Life is Beautiful , dealing with similar themes.

Significant speculation continues to surround the film. Following this, Lewis would take a break from the movie business for several years.

Lewis surprised Sinatra and Martin after walking onto the Aladdin stage in Las Vegas during their show and exchanged jokes for several minutes.

We Didn't See You Leave , the latter two films from France which had their distribution under Lewis' control and stated that they would never be released in American movie theaters and on home media.

He then hosted a syndicated talk show for Metromedia, which was not continued beyond the scheduled five shows. In , Lewis directed an episode of the Showtime series Brothers.

In , Lewis appeared at the first Comic Relief , where he was the only performer to receive a standing ovation and after that, he was interviewed on Classic Treasures.

In , Lewis performed a second double act with Davis Jr. He then starred in five episodes of the CBS program Wiseguy.

The filming schedule of the show forced Lewis to miss the Museum of the Moving Image 's opening with a retrospective of his work.

Lewis wheeled out a cake on Martin's 72nd birthday, sang " Happy Birthday " to him and joked, "Why we broke up, I'll never know".

He then appeared in Cookie In , Lewis had a cameo in Mr. In , he was the first of a series of 'classic' comedians to guest star in Mad About You , playing an eccentric billionaire.

He appearanced on Larry King Live many times and co-starred in the film Arizona Dream as a car salesman and uncle to a young nephew, then starred as the 'Comedy Legend' father of a young comic in Funny Bones Lewis' role serves as the metaphorical pivot in 20th Century comedy, from slapstick anarchists to clever storytellers.

In , realizing a lifelong ambition, Lewis made his Broadway debut, as a replacement cast member, in a revival of Damn Yankees.

He performed in both the national and London runs of the musical. Lewis missed three performances of the live show in four-plus years, one being Martin's funeral.

Lewis would next appear on the 12th annual American Comedy Awards in Lewis starred in a small role in The Trust and a serious lead role in his final film Max Rose , which premiered at the Cannes Film Festival.

During production of The Bellboy , Lewis pioneered the technique of using video cameras and multiple closed circuit monitors, [61] which allowed him to review his performance instantly.

This was necessary since he was acting as well as directing. His techniques and methods of filmmaking, documented in his book and his USC class, enabled him to complete most of his films on time and under budget since reshoots could take place immediately instead of waiting for the dailies.

Man in Motion , [62] a featurette for Three on a Couch , features the video system, named "Jerry's Noisy Toy" [63] and shows Lewis receiving the Golden Light Technical Achievement award for its development.

Lewis stated he worked with the head of Sony to produce the prototype. While he initiated its practice and use, and was instrumental in its development, he did not hold a patent.

Starting in , Lewis taught a film directing class at the University of Southern California in Los Angeles for a number of years. His students included George Lucas , whose friend Steven Spielberg sometimes sat in on classes.

His book The Total Film Maker , was based on hours of his class lectures. Clifford Kuhn and also did corporate and college lectures, motivational speaking and promoted the pain-treatment company Medtronic.

While Lewis was popular in France for his duo films with Dean Martin and his solo comedy films, his reputation and stature increased after the Paramount contract, when he began to exert total control over all aspects of his films.

His involvement in directing, writing, editing and art direction coincided with the rise of auteur theory in French intellectual film criticism and the French New Wave movement.

Appreciated too, was the complexity of his also being in front of the camera. The new French criticism viewed cinema as an art form unto itself, and comedy as part of this art.

Lewis is then fitted into a historical context and seen as not only worthy of critique, but as an innovator and satirist of his time.

Not yet curricula at universities or art schools, film studies and film theory were avant-garde in early s America. Mainstream movie reviewers such as Pauline Kael , were dismissive of auteur theory, and others, seeing only absurdist comedy, criticized Lewis for his ambition and "castigated him for his self-indulgence" and egotism.

Appreciation of Lewis became a misunderstood stereotype about "the French", and it was often the object of jokes in American pop culture.

Binh, a French film magazine critic. In addition to his years as an entertainer and filmmaker, Lewis was also a world-renowned humanitarian, philanthropist and "number one volunteer" who supported fundraising for research into muscular dystrophy.

In , after another appeal, Lewis hosted New York area telethons until and in , fought Rocky Marciano in a boxing bout for MDA's fund drive.

In , Ed McMahon announcer, second banana and sidekick to Johnny Carson on The Tonight Show began his involvement in the telethon, and co-anchored the event with Lewis every year from to The broadcast originated from different locations including New York, Las Vegas and Hollywood and was the most successful fundraising event in the history of television.

By , pop culture had shifted its view of disabled individuals and the telethon format. Lewis and the telethon's methods were criticized by disabled-rights activists who believed the show was "designed to evoke pity rather than empower the disabled.

Lewis rebutted the criticism and defended his methods saying, "If you don't tug at their heartstrings, then you're on the air for nothing.

He received a Governors Award in and the Jean Hersholt Humanitarian Award in , in recognition of his fight for the cause and his efforts for the Muscular Dystrophy Association.

On August 3, , it was announced that Lewis would no longer host the MDA telethons [78] and that he was no longer associated with the Muscular Dystrophy Association.

On May 1, , it was announced that in view of "the new realities of television viewing and philanthropic giving", the telethon was being discontinued.

In early , Lewis broke a five-year silence during a special taped message at MDA's brand re-launch event at Carnegie Hall in New York City for the organization on its website in honor of its rebranding marking his first and as it turned out, his final appearance in support of MDA since his final telethon in and the end of his tenure as national chairman in MDA's website states, "Jerry's love, passion and brilliance are woven throughout this organization, which he helped build from the ground up, courted sponsors for MDA, appeared at openings of MDA care and research centers, addressed meetings of civic organizations, volunteers and the MDA Board of Directors, successfully lobbied Congress for federal neuromuscular disease research funds, made countless phone calls and visits to families served by MDA.

During Lewis' lifetime, MDA-funded scientists discovered the causes of most of the diseases in the Muscular Dystrophy Association's program, developing treatments, therapies and standards of care that have allowed many people living with these diseases to live longer and grow stronger.

Lewis opened a camera shop in , then in , Lewis agreed to lend his name to "Jerry Lewis Cinemas", offered by National Cinema Corporation as a franchise business opportunity for those interested in theatrical movie exhibition.

Jerry Lewis Cinemas stated that their theaters could be operated by a staff of as few as two with the aid of automation and support provided by the franchiser in booking film and other aspects of film exhibition.

A forerunner of the smaller rooms typical of later multi-screen complexes, a Jerry Lewis Cinema was billed in franchising ads as a "mini-theatre" with a seating capacity of between and In addition to Lewis's name, each Jerry Lewis Cinemas bore a sign with a cartoon logo of Lewis in profile.

Eventually the policy was changed, and the Jerry Lewis Cinemas were allowed to show more competitive movies. But after a decade the chain failed and both Lewis and National Cinema Corporation declared bankruptcy in The eight-minute segment, titled Boy , was about a young white child in a black world and being subjected to quiet, insidious racism, and outright racist bullying.

In , Lewis met with seven-year-old Lochie Graham, who shared his idea for "Jerry's House", a place for vulnerable and traumatized children.

Lewis and Graham entered into a joint partnership for an Australian and a U. Lewis kept a low political profile for many years, having taken advice reportedly given to him by President John F.

Kennedy , who told him "Don't get into anything political. Don't do that because they will usurp your energy".

Lewis was a supporter of the Civil Rights Movement. In a Movie Mirror magazine article, Lewis came out against the Vietnam War , when his son Gary returned from service traumatized.

He vowed to leave the country rather than send another of his sons. Lewis once stated political speeches should not be at the Oscars. And I think that we have to present ourselves that night as hard-working, caring and important people to the industry.

We need to get more self-respect as an industry". He lamented citizens' lack of pride in their country , stating, "President Bush is my president.

I will not say anything negative about the president of the United States. I don't do that. And I don't allow my children to do that.

Likewise when I come to England don't you do any jokes about 'Mum' to me. That is the Queen of England , you moron.

How can I take that chance? He also added that he admired Ronald Reagan 's presidency. In , at the Aspen U.

Comedy Arts Festival , when asked which women comics he admired, Lewis answered, "I don't like any female comedians.

He went on to praise Lucille Ball as "brilliant" and said Carol Burnett is "the greatest female entrepreneur of comedy. It was an interfaith marriage ; Lewis was Jewish and Palmer was Catholic.

Palmer filed for divorce from Lewis in , after 35 years of marriage, citing Lewis' extravagant spending and infidelity on his part, and it was finalized in They were wed on February 13, , in Key Biscayne, Florida [] and had one child together, an adopted daughter named Danielle born In February , a man named Gary Benson was revealed to have been stalking Lewis and his family.

Lewis suffered from a number of chronic health problems, illnesses and addictions related both to aging and a back injury sustained in a comedic pratfall.

The fall has been stated as being either from a piano while performing at the Sands Hotel and Casino on the Las Vegas Strip on March 20, , [] [] or during an appearance on The Andy Williams Show.

He was one of the company's leading spokesmen. Lewis suffered numerous heart problems throughout his life; he revealed in the documentary Method to the Madness of Jerry Lewis, that he suffered his first heart attack at age 34 while filming Cinderfella in Several months later, in February , Lewis underwent emergency open-heart double-bypass surgery.

He underwent a cardiac catheterization days after the heart attack, and two stents were inserted into one of his coronary arteries, which was 90 percent blocked.

Having the cardiac catheterization meant canceling several major events from his schedule, but Lewis fully recuperated in a matter of weeks.

In , Lewis' Australian tour was cut short when he had to be hospitalized in Darwin with viral meningitis. It was reported in the Australian press that he had failed to pay his medical bills.

However, Lewis maintained that the payment confusion was the fault of his health insurer. In addition to his decades-long heart problems, Lewis had prostate cancer , [] type 1 diabetes , [] [] and pulmonary fibrosis.

In September , Lewis was unable to perform at a planned London charity event at the London Palladium. He was the headlining act, and he was introduced but did not appear.

He had suddenly become unwell, apparently with heart problems. He was subsequently taken to the hospital. Some months thereafter, Lewis began an arduous, months-long therapy that weaned him off prednisone and he lost much of the weight gained while on the drug.

The treatment enabled him to return to work. On June 12, , he was treated and released from a hospital after collapsing from hypoglycemia at a New York Friars Club event.

This latest health issue forced him to cancel a show in Sydney. PDT on August 20, , at the age of Lewis "single-handedly created a style of humor that was half anarchy, half excruciation.

Even comics who never took a pratfall in their careers owe something to the self-deprecation Jerry introduced into American show business.

Lewis' comedy style was physically uninhibited, expressive, and potentially volatile. He was known especially for his distinctive voice, facial expressions, pratfalls, and physical stunts.

His improvisations and ad-libbing, especially in nightclubs and early television were revolutionary among performers. It was "marked by a raw, edgy energy that would distinguish him within the comedy landscape.

Carrey wrote: "Through his comedy, Jerry would stretch the boundaries of reality so far that it was an act of anarchy I learned from Jerry", [] and "I am because he was".

Acting the bumbling and stammering ' everyman ', Lewis used tightly choreographed, sophisticated sight gags, physical routines, verbal double-talk and malapropisms.

For almost two decades, from the late '40s to the mid-'60s, "Lewis was a virtually unprecedented force in American popular culture.

They say that mankind goes back to the first guy In comedy that guy was Jerry Lewis. Lewis' work, specifically his self-directed films, have warranted steady reappraisal.

He knew how to frame and present his own adrenaline-fuelled, instinctive physical comedy for the camera. Lewis was in the forefront in the transition to independent filmmaking , which came to be known as New Hollywood in the late s.

Writing for the Los Angeles Times in , screenwriter David Weddle lauded Lewis' audacity in "daring to declare his independence from the studio system.

The studios tightly controlled the process and they wanted their people directing. Yet Lewis regularly led, often flouting the power structure to do so.

Neither the entrepreneur nor the auteur were common types among actors in midth century Hollywood. But there Lewis was, at a time of strict studio control, doing both.

No other comedic star, with the exceptions of Chaplin and Keaton in the silent era , dared to direct himself. Lewis, on the other hand, was interested in exploring the possibilities of the medium by utilizing the tools he had at his disposal in formally innovative and oftentimes hilarious ways.

His purposeful selection of lenses, for example, expands and contracts space to generate laughs that aren't necessarily inherent in the material, and he often achieves his biggest effects via what he leaves off screen, not just visually but structurally.

As a director, Lewis advanced the film comedy genre with innovations in the areas of fragmented narrative, experimental use of music and sound technology, and near surrealist use of color and art direction.

Lewis is the only one today who's making courageous films. He's been able to do it because of his personal genius". Intensely personal and original, Lewis' films were groundbreaking in their use of dark humor for psychological exploration.

Few comedians before him had so brazenly turned arrested development into art, or held up such a warped fun house mirror to American identity in its loudest, ugliest, vulgarest excesses.

Fewer still had advanced the still-radical notion that comedy doesn't always have to be funny, just fearless, in order to strike a nerve".

Before , Hollywood comedies were screwball or farce. Lewis, from his earliest 'home movies, such as How to Smuggle a Hernia Across the Border , made in his playhouse in the early s, was one of the first to introduce satire as a full-length film.

This "sharp-eyed" satire continued in his mature work, commenting on the cult of celebrity, the machinery of 'fame', and "the dilemma of being true to oneself while also fitting into polite society.

Even post-modern in places. Lewis was an early master of deconstruction to enhance comedy. From the first Comedy Hour s he exposed the artifice of on-stage performance by acknowledging the lens, sets, malfunctioning props, failed jokes, and tricks of production.

As Jonathan Rosenbaum wrote: Lewis had "the impulse to deconstruct and even demolish the fictional "givens" of any particular sketch, including those that he might have dreamed up himself, a kind of perpetual auto-destruction that becomes an essential part of his filmmaking as he steadily gains more control over the writing and direction of his features.

Daniel Fairfax writes in Deconstructing Jerry: Lewis as a Director , "Lewis deconstructs the very functioning of the joke itself".

Robert DeNiro and Sandra Bernhard both of whom starred with Lewis in The King of Comedy reflected on his death, Bernhard said, "It was one of the great experiences of my career, he was tough but one of a kind".

De Niro said, "Jerry was a pioneer in comedy and film. And he was a friend. I was fortunate to have seen him a few times over the past couple of years.

Even at 91, he didn't miss a beat You'll be missed. From the outset he was generous. Jerry Lewis epitomized that.

Jerry embodied the term "funny bones": a way of differentiating between comedians who tell funny and those who are funny.

He was unbelievably complicated and shockingly self-aware. Actor and comedian Jeffrey Tambor wrote after Lewis' death, "You invented the whole thing.

Thank you doesn't even get close. There have been numerous retrospectives of Lewis' films in the U. Lewis is one of the few performers to have touched every aspect of 20th Century American entertainment, appearing in vaudeville , burlesque , the ' borsht belt ', nightclubs , radio, Classical Hollywood Cinema The 'Golden Age' , Las Vegas , television: variety, drama, sit-coms and talk shows, Broadway and independent films.

On August 21, , multiple hotel marquees on the Las Vegas Strip honored Lewis with a coordinated video display of images of his career as a Las Vegas performer and resident.

The voice and boyish, naive cartoon character SpongeBob SquarePants is partially based on Lewis, with particular inspiration from his film The Bellboy.

Maisel , Lewis' signature catchphrase "Hey, Laaady! Sammy Petrillo bore a coincidental resemblance to Lewis, [] [] so much so that Lewis at first tried to catch and kill Petrillo's career by signing him to a talent contract and then not giving him any work.

When that failed as Petrillo was under 18 at the time , Lewis tried to blackball Petrillo by pressuring television outlets and then nightclubs, [] also threatening legal action after Petrillo used his Lewis impersonation in the film Bela Lugosi Meets a Brooklyn Gorilla.

From Wikipedia, the free encyclopedia. This article is about the entertainer. For other people named Jerry Lewis, see Jerry Lewis disambiguation.

Not to be confused with Jerry Lee Lewis. Newark, New Jersey , U. Las Vegas , Nevada, U. Comedian actor singer film director film producer screenwriter humanitarian.

Patti Palmer m. SanDee Pitnick m. Main article: Martin and Lewis. Jerry Lewis was the most profoundly creative comedian of his generation and arguably one of the two or three most influential comedians born anywhere in this century.

As a filmmaker who insisted on the personal side of his work—who was producer, writer, director, star, and over-all boss of his productions in the interest of his artistic conception and passion—he was an auteur by temperament and in practice long before the word traveled Stateside.

Further information: Jerry Lewis filmography. Part 2 Take my wife, please! Nominated for 1 Golden Globe. Known For.

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Self uncredited. Self - Brief Walking Man uncredited. Self - Mystery Guest. Self - Guest Panelist. Self - Substitute Host.

Self - Comedian. Self cameo uncredited. Show all 9 episodes. Jayne Mansfield The Family Jewels. Boeing Boeing. Also director and producer; first film for Columbia Pictures.

Don't Raise the Bridge, Lower the River. One More Time. Which Way to the Front? The Day the Clown Cried. Slapstick of Another Kind. The King of Comedy.

Cracking Up. Retenez Moi Ou Je Fais Un Malheur. On t'a pas vu sortir. Curious George 2: Follow That Monkey!

The Colgate Comedy Hour. October 13; episode, " The Jazz Singer ". The Garry Moore Show. The Jerry Lewis Show. The Andy Williams Show.

The Red Skelton Show. The Engelbert Humperdinck Show. The Carol Burnett Show. The Dick Cavett Show.

Inside the Actors Studio [2]. Episode, " Uncle ". Five Came Back. Comedians in Cars Getting Coffee. July 6; episode Heere's Jerry!

Posthumous release [3] [4]. Spellbound game [5]. Coca-Cola [8]. How to Smuggle a Hernia Across the Border. Sailor Beware Trailer. Scared Stiff Trailer.

The Nutty Professor Trailer.

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