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Sonoya Mizuno

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Sonoya Mizuno ist eine britisch-japanische Schauspielerin, Tänzerin und Model. Sonoya Mizuno (* 1. Juli in der Präfektur Tokio, Japan) ist eine britisch-​japanische Schauspielerin, Tänzerin und Model. Entdecke alle Filme von Sonoya Mizuno. Von den Anfängen ihrer Karriere bis zu geplanten Projekten. Serien und Filme mit Sonoya Mizuno: Devs · Maniac · Auslöschung · Crazy Rich Asians · The Domestics · Die Schöne und das Biest · La La Land · Alleycats . Ihre Suche nach "sonoya mizuno" ergab 6 Treffer. Sortieren nach: Bitte auswählen, Interpret A-Z, Interpret Z-A, Titel A-Z, Titel Z-A, Preis aufsteigend, Preis.

Sonoya Mizuno

»Crazy Rich«ist beides gleichzeitig: ganz und gar herkömmlich, in der Art und Weise wie die Genre-Konventionen romantischer Komödien bedient (und durch​. Entdecke alle Filme von Sonoya Mizuno. Von den Anfängen ihrer Karriere bis zu geplanten Projekten. DVD. Nach einem harten Tag oder einer langen Woche geht doch nichts über einen gemütlichen Filmabend zu Hause mit den Liebsten. Oder es wird in. Sonoya Mizuno

Sonoya Mizuno Video

Ex Machina (7/10) Movie CLIP - Tearing Up the Dance Floor (2015) HD

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Archived from the original on 5 February Royal Opera House. Retrieved 24 April Deadline Hollywood. Retrieved 8 January Categories : Living people births 21st-century British actresses 21st-century Japanese actresses Actresses from Somerset Actresses from Tokyo British ballerinas British film actresses British people of Argentine descent British people of Japanese descent English film actresses English television actresses Japanese ballerinas Japanese emigrants to the United Kingdom Japanese expatriates in England Japanese film actresses People educated at the Royal Ballet School.

Namespaces Article Talk. Views Read Edit View history. The climax of Devs comes down to one ultimate choice. Chan has seen a future in which she shoots and kills Forest in the godlike machine he created.

But, when it comes down to that moment, Chan chooses not to, which leads to both her and Forest falling and suffocating inside his vacuum-sealed laboratory.

She's a person who doesn't participate in group think and isn't following the same path. When she does take the action we have to believe that she would do it and it would always be a decision she makes.

But the paradox of the story is that was her doing the action predetermined as well? Mizuno says that exactly what happens in the moment of Chan's choice is up to the viewer to interpret on their own.

That final scene in particular, where Chan dies in the heart of the Devs building, was one in which Mizuno did intentionally use her ballet training to add to the scene.

From there, Devs takes a turn into another theoretical afterward, where Chan and Forest's minds have been transferred into an alternate reality of the machine.

She knows she lived this day and Forest explains to her what happened. It all started with one choice: to leave the world of dance. And then to let her artistic sides as an actor and a dancer come together.

Knowing that gives Devs something of a meta dimension, especially when Mizuno describes the way in which her character makes decisions.

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Kathleen Belsten is a popular Australian internet star who is popularly known by the pseudonym of Loserfruit or "Lufu".

Kathleen has a YouTube channel She made her film debut in Alex Garland 's science-fiction thriller Ex Machina in In , Mizuno appeared in a small role as the debutante in Disney's live-action adaptation of Beauty and the Beast , and in , she acted in the Warner Bros.

She has appeared in a string of major television roles including Cary Joji Fukunaga 's Maniac on Netflix. From Wikipedia, the free encyclopedia.

Japanese-born British actress, model and ballet dancer. The Herald. Retrieved 5 February High Strung Dance Movie.

Archived from the original on 5 February She drafted a letter of resignation, booked a flight, got on the plane, sent the email, and turned off her phone.

Devs , which stars Mizuno as a software engineer named Lily Chan at a fictional quantum-computing company called Amaya, is about escaping what people, what technology, what the universe dictate we must do and who we must be.

Written and directed by Garland, the speculative-fiction mastermind also behind the film Annihilation, it warps our existential views on the world, reality, and autonomy.

And Mizuno landed there by making bold decisions. When she auditioned for Ex Machina in , Garland immediately noticed her unusual talent.

I never encounter anyone who says Philip Seymour Hoffman was not a good actor. Garland thought it would be a bumpy start acclimating Mizuno to performing in front of the camera.

Ex Machina was a critical hit, and in the wake of its success Mizuno moved to L. After a couple of indies, she scored a part in La La Land.

But she was still living the classic life of a struggling actor. He was adapting the Jeff VanderMeer novel Annihilation and wanted to end the film with a dance sequence.

Though Mizuno is digitally turned into a silver humanoid in the end, her performance makes for a powerful, mystifying conclusion to Annihilation.

I always love the moment where we fall and and then we stand up and and we do these mirror steps and then she realizes 'Oh fuck, this is me.

The film happened at a time in Mizuno's career when she was coming to terms with herself as both an actor and a dancer.

But with Annihilation she realized she could be both. As she navigated the industry, Mizuno kept in touch with Garland.

But I read the script, and it was so funny, I just felt like I would be silly not to want to be involved in it.

I was surprised by how meaningful it felt for me. And then a chance to reunite with Garland came around again with Devs. Even though she had worked with him before, the casting process was rigorous; she still had to audition.

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Sonoya Mizuno Video

Sonoya Mizuno Interview - La La Land LFF Premiere

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Sonoya Mizuno - Sonoya Mizuno

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